The opening days were miraculous, marked by a flood of cultural workers and curious visitors, yet followed by a set of controversial performances taking place in front of the Russian pavilion, which is closed due to the invasion of Ukraine.Ī few days after the grand vernissage, the Jury of this year’s edition of the Venice Biennale led by Roberto Cicutto officially proclaimed the awards.
The celebrity British painter, won’t fail to attract important collectors as they gather en masse for the vernissage of the Biennale on May 10th.This year’s spring season in the art world has been expected with enormous anticipation because of the 59th International Art Exhibition of La Biennale di Venezia curated by Cecilia Alemani. It’s debut exhibition will be devoted to one of the most emblematic living artists, Chris Ofili. Perhaps affirming the Venice Biennale’s position of importance in the art world, London-based blue chip gallery Victoria Miro will open a new space just in time for the 57th Biennale. The treasures inside provide the meat of the exhibition with sphinxes, Greek statues, bronze colossi, and jewels dazzling viewers and reminding us what our contemporary false idols are. The straddled show entitled « Treasures from the Wreck of the Unbelievable » tells the story of a fantastical legend: an ancient ship that sank off the coast of Africa, carrying with it its priceless cargo. British artist Damien Hirst makes a return to the scene with exhibitions at the Palazzo Grassi and François Pinault’s Punta della Dogana space. The city of Venice provides the perfect backdrop for satellite exhibitions with its opulent palaces, squares and sometimes even churches housing contemporary art. Danish artist Olafur Eliasson’s contribution will address political and humanitarian issues with his project « Green Light » and aims to help the migrants through the production of lamps made of recycled materials. This year Iceland will build two massive cannibal trolls each 36 meters high. A sprawling exhibition space made of vast warehouses that once belonged to the Italian navy allows for the realisation of monumental works and installations. In 1999 the Biennale added the Arsenale to its programme. Xavier Veilhan’s installation « Studio Venezia » will take the form of a 1970s recording studio and will immerse visitors in the process of making classical, pop and experimental music.
The installations inside the pavilions are the result of years of work and can permanently earn an artist a place in the canon. This year Mark Bradford represents the United States, Phyllida Barlow is showing for the UK and Xavier Veilhan for France. Here numerous pavilions are designated to the nationality of the artist exhibiting inside. Visitors take water taxis to the main site–the Giardini just east of Piazza San Marco. Visiting the Biennale is unlike any other international exhibition. Overall some 120 artists from 51 countries have been invited including 103 for their first time, to create work in Venice. Her central exhibition « Viva Arte Viva » aims to mix media, established artists and emerging young talent. Since its inception in 1895 the Biennale has been held every two years and now attracts nearly half a million visitors.įor the 2017 edition Christine Macel, head curator at the Centre Pompidou in Paris, holds the honour of curating the monumental show. Although non-commercial and cultural in nature, the event attracts dealers, collectors and critics who are searching for the next « star » artists on the scene. In addition to a city-wide art extravaganza, the Venice Biennale foundation organizes different events around dance, music, architecture and cinema. The 57th edition of the Venice Biennale, arguably the biggest event in the world of contemporary art, opens its doors on May 13th.
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